“I can lucidly hear the deeper bass, better attack dynamics, deeper and wider soundstage. The difference is there and it matters. What more can audiophile demand?”
Matej Isak – August ’08 Read Full Review
“I can lucidly hear the deeper bass, better attack dynamics, deeper and wider soundstage. The difference is there and it matters. What more can audiophile demand?”
Matej Isak – August ’08 Read Full Review
“Audience’s powerChord is something special among high-end power cords. Uncommonly flexible, the powerChord is refreshingly easy to install and place. Essentially neutral, the powerChord successfully combines high levels of resolution and coherence with a relaxed, musical presentation that draws the listener into the performance. With its overachieving performance and relatively low price, Audience’s powerChord merits an unqualified recommendation.”
John Acton – March ’08 Read Full Review
“For a number of years we have had the pleasure of using the Audience powerChord, and under the right conditions, there is no finer power cord available.”
Martin DeWulf : #171 – Jun ’06 Print Version
“The powerChord is about as close to a no-brainer as I can think of; it has a way of consistently breathing life into whatever it is feeding.”
Marc Yun : #170 – Mar ’06 Print Version
“After all these years, still one of the best AC line cords one can buy capable of bringing out the dynamic best in a component, this is the power cord that I go to when nothing else seems to work. One of my favorite cords on line level devices, but works well on amps too.”
Martin DeWulf : #164 – Apr ’05
“This power cord was as consistent in its results as any power cord I have ever used… Clean impact. The fastest transients this side of a lightning strike, as contrasts and depth of field reveal a clarity unknown to most electronics until plugged in with the powerChord… With its speed and resolution, the powerChord was surprisingly organic and color free in its presentation.”
Martin DeWulf – Jan ’02 Read Full Review
“I listen critically to every piece of equipment I place in my system, and the powerChord is the only one that has made me forget about the details and let the music take me along for the ride”.
Fown-Ming Tien – Mar ’05 Read Full Review
“Most competent after-market power cords will clean up the sound, usually by lowering the noise floor. Despite that general but important improvement, some cords then take a step backwards by imposing some measure of tonal degradation. Few of the cords I’ve tried seem to inject a life-like force to the music. Fewer than that improve timing and flow. Fewer still will broaden your musical horizons by rewarding you with depth of stage, all the while giving you insights on performer technique by allowing your gear to better resolve low level and inner detail in a musical, organic manner. The powerChords on my CD player and amp delivered the goods. Highly recommended for audition”.
Stephæn Harrell – Dec ’04 Read Full Review
“… the Audience Conductors and powerChords delivered the musical punch line every time. They even beat out my reference interconnects and power cables. The Audience power cables offer accuracy and musicality beyond their really simple appearance and affordable price.”
Mike Healy – Feb ’04 Read Full Review
“Sweet and delicate high frequency response, extreme transient and speed across the audio spectrum”.
Hong Kong HiFi Review — Jul 04
Print Version (Chinese)
“The Audience Au24 and powerChord cables share a family resemblance-they balance tonality extremely well, have superb detail (again, in balance; neither too much nor too little of it), and they’re smooth. Not colored-smooth, but just-right-smooth.”
Wes Phillips – Apr ’04 Read Full Review
“The Audience powerChord gives the presentation a sense of dynamic drive and rhythmic pace that is perfect, not overdone or overpowered.”
Doug Blackburn – Mar ’03 Read Full Review
“Whatever is going on here, the thing works. I experimented with my Balanced Audio Technology VK-D5 CD player, VK-3i preamp, and VK-6200 multi-channel amplifier, and in each case heard improvements to the noise floor (less garble and grunge), dynamic range (in both low-level nuance and high-level impact), and overall clarity and detail. Music’s sense of time improved, too. The thing doesn’t cost a fortune, either.”
Wayne Garcia – Nov ’02 Print Version