“As I continued listening, it became clear that the Audience’s levels of midrange and lower-treble resolution were standard-setting — again, that vanishing noise floor paid big dividends in the listening chair.

The upper midrange and lower treble were nuanced, finely shaded, and highly resolved, presenting harmonic decay and inner detail that I’d never heard with any other conditioner.

The decays of the piano’s upper registers, previously obscured by a fine layer of glare, were more fully illuminated and harmonically developed with the aR12-TS in the system. I felt I could see into the lowest, previously obscured levels of harmonics of pianos, guitars, cymbals, and even voices. Piano lovers will love what the Audience does. ”
Ryan Coleman — Mar ’12  Read Full Review

“And, in addition to what eliminating grunge does for the background, the improvements in dynamics, timbre, the soundstage and imaging are not subtle.”
Nicholas Bedworth – Mar ’12
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“I said in my aR12-T review that in my experience, this degree of overall system improvement simply cannot be achieved with ANY other individual investment, regardless of the dollar amount of the investment, and that claim is even more true with the aR12-TS.”
Greg Weaver – Jan ’12 Read Full Review

“Bottom line: The aR12-TS is the best power conditioner I’ve heard.”
Brian Damkroger — Jan ’12
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“While it affords an convincingly audible advance over the landmark aR12-T, the degree of that improvement is, to my ears, nearly as incremental an advance on the T’s performance as the T iteration improved upon the original aR12.”
Greg Weaver – Oct ’11
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