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” If you need power conditioning, then this is the best I’ve heard.”
Jack Roberts — January ’13 Read Full Review
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” If you need power conditioning, then this is the best I’ve heard.”
Jack Roberts — January ’13 Read Full Review

“Audiophile power conditioning products are generally categorized as accessories, but when they are as well designed and executed as Audience products, I believe they become integral parts of a high-end system. From my experience with Audience power products, they provide immediately identifiable benefits with absolutely no down side.”
Andre Marc — January ’13 Read Full Review
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“Like TAS editor Robert Harley once said to me “You need a power conditioner.” I have one now. It’s the Audience aR6-TSS.
With all my components plugged into the Audience conditioner, violins were unfailingly silkier, voices and instruments emerged from a blacker sonic background with more nuance and dimension to them, soundstaging was grander, and imaging and spatial cues startling. The aR6-TSS contributed a remarkable refinement and brought real precision to my system.”
Garrett Hongo, reviewer
The Absolute Sound
Issue 235, September 2013 – Full review here

Positive Feedback Online has given its’ Writers’ Choice Award, 2012 to Audience for the aR2p-TO Power Conditioner:


Audience aR6-TS
AudioTechnique, Hong Kong
Issue 372 Sep ’12
Read Full Review
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“As I continued listening, it became clear that the Audience’s levels of midrange and lower-treble resolution were standard-setting — again, that vanishing noise floor paid big dividends in the listening chair.
The upper midrange and lower treble were nuanced, finely shaded, and highly resolved, presenting harmonic decay and inner detail that I’d never heard with any other conditioner.
The decays of the piano’s upper registers, previously obscured by a fine layer of glare, were more fully illuminated and harmonically developed with the aR12-TS in the system. I felt I could see into the lowest, previously obscured levels of harmonics of pianos, guitars, cymbals, and even voices. Piano lovers will love what the Audience does. ”
Ryan Coleman — Mar ’12 Read Full Review
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“And, in addition to what eliminating grunge does for the background, the improvements in dynamics, timbre, the soundstage and imaging are not subtle.”
Nicholas Bedworth – Mar ’12
Read Full Review (661K, PDF)

“… the smallest Teflon-capped Audience conditioner has elevated itself from accessory to essential, enhancing the sound and my overall musical enjoyment as much or more than any other component upgrade I’ve made.”
John Acton — Jan/Feb 2012
Positive Feedback Issue 59 Read Full Review


The sound of the aR6-TS was, in a word, stunning. Eyes bulged. Ears stretched out and snapped back. This wolf whistled. My mouth drooled. I wore my Depends. I wondered where the heck all this new information was coming from.
Doug Blackburn – Jan ’12 Read Full Review

“I said in my aR12-T review that in my experience, this degree of overall system improvement simply cannot be achieved with ANY other individual investment, regardless of the dollar amount of the investment, and that claim is even more true with the aR12-TS.”
Greg Weaver – Jan ’12 Read Full Review