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Alan Sircom – Apr ’22 Issue 206
Please be sure to watch this very first review of the new Audience forte f5 powerChord on YouTube by Markus Ganzherrlich of RockMetalBands.com in Italy. One version is in English, one in Italian and another in German:
Markus Ganzherrlich – Apr ’22
https://www.youtube.com/watch?v=o3qK0n0FBvQ&feature=youtu.be (English)
https://www.youtube.com/watch?v=R5VVJfdRsK0 (Italian)
https://www.youtube.com/watch?v=yqIYvuCZ66g (German)
“I was desperately trying not to wring out ‘Less is More’ here, but it fits so well with Audience Studio ONE; less really is more.”
Alan Sircom, Editor
HiFi+ Issue 206, April ’22
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“the aR12-T4 has significantly raised an already exceedingly high bar of performance in this category”
Greg Weaver – Feb ’22
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Watch YouTube Review
“It just sounds so good on any component, but of course synergy reigns supreme..”
Markus Ganzherrlich – Feb ’22
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“If you use an ethernet cable anywhere in your system, I can’t recommend this one highly enough!”
Jack Roberts – Feb ’22
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“Both the clean and dirty sounds were louder and punchier than simply plugging into my wall receptacle. Micro dynamics were more dramatic and sustain—the true secret to the tones of classic rock icons such as Eddie Van Halen, Angus Young and Jimmy Page were much improved. “
Robert Archer, Editor – Jan ’22
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“Overall, the Studio ONE HP powerChord offers deeper resolution, larger soundstaging, more precise image placement, and an extremely dynamic sound. Most power cables in this price range can only dream of making such a dramatic improvement to a system’s overall sound quality.”
Doug Brown – Jan ’22
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“Sheer excellence in the entry level power-cord bracket, the Audience forte f3 is a definitive winner. It will lift the performance of any system, as it lowers the noise floor, improves transient attacks, and permits a wider expression of dynamic range and low-level detail.”
Neil Gader – Issue 314, Jan ’22
“Audience has two winners on its hands with its Au24SE and SX headphone cables. Bravo.”
Michael Mercer – Issue 166 – Nov ’21
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