“With the frontRow digital cables in place, I glanced over at Lynn and knew something was up by her unwavering attention. I understood because I shared it. “
Marshall Nack – Issue 124 Dec ’22
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“With the frontRow digital cables in place, I glanced over at Lynn and knew something was up by her unwavering attention. I understood because I shared it. “
Marshall Nack – Issue 124 Dec ’22
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“In the grand scheme of a serious audiophile system, a dedicated AC line is an often overlooked component. If it is at all feasible, it shouldn’t be.”
Rick Becker – Nov ’22
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Steven Stone talks about the changes in the ClairAudient 1+1
September ’22
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“I don’t think I’ll be able to go back to listening to multi-way speakers with passive crossovers, even systems as nice as my Fritz Carrera 7 BE. At least not without feeling that I’m missing much of what I know is present in good recordings. I have several friends who feel the same way. Until now, I’ve brushed off their comments that passive crossovers were holding back the performance of my system. They now have my attention, thanks to Audience and my time with the ClairAudient 1+1.”
David Snyder – Aug ’22
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“This was the case with the adeptResponse Power Conditioner. The aR12-T4 doesn’t shift the frequency response one way or another or change the aural picture you already have. Instead, it’s a matter of good being made better. If you already have good sound, the aR12-T4 will make it better by applying the finishing touches, fleshing it out, and completing it.”
Marshall Nack – August ’22
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“Effortlessly musical and truthful, frontRow seems like the culmination of a journey that Audience embarked upon a long time ago.”
Neil Gader – Aug ’22
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“…they are stunningly beautiful sounding and a “poster child” for neutrality and accuracy if your system is on par to reveal them as such.”
Howard Milstein – May ’22
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“When it comes to loudspeaker cables, I have a strong bias that I will share with you…I despise thick, inflexible, “fire-hose” cables.”
Steven Stone – May ’22
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“The Audience cables are voiced, not for accentuation of leading-edge pyrotechnics, but for tonal purity, cohesion, and musical engagement, and it’s in these areas that the Studio ONEs reign supreme.”
John Acton – May ’22
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Studio ONE S/PDIF:
“The cable delivered an uncanny reach-out-and-touch-it proximity …”
Auric Illuminator:
“On all three CDs, instruments sounded more vivid, fleshed out, and natural.”
Écrit par Robert Schryer – May ’22
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