“Backgrounds are quieter, especially on older analog recordings. Micro dynamic events are rendered with superior detail and in more realistic scale, and thereby take on a greater musical significance, most likely attributable to the enhanced sense of the “darker” background. There is a general sense of ease and organic-ness to the overall presentation; it is akin to the sound of good analog in that respect. Whether that is due to an overall coherence the cable offers, or perhaps a very good impedance match, I can’t say. But, it offers a more nuanced presentation, much closer to live music than I have had with ANY other cable I’ve auditioned; and believe me, I’ve played with more than a few.”
Greg Weaver – May ’05  Read Full Review
Print Version

I find that the system as a whole with Au24 interconnects and speaker cable running from one end to the other now sounds more natural than it did with Valhalla. I am significantly less aware of “The System” and its sonic virtues, and more aware of musicians and music”.
Robert Neill – Oct ’02  Read Full Review

“Everything that passes through the Au24s comes out sounding pleasing – not sweet, not pretty, pleasing, and where appropriate, even elegant… I found I was now listening to my reference Valhallas as if they were the newcomers up for review”.
Robert Neill – Oct ’02  Read Full Review

“The SA-11S1’s terrific CD sound tempted me to compare it to my CD references–a Theta Generation VIII DAC driven by a Mark Levinson No.31.5 transport via the excellent Audience Au24 AES/EBU interconnect.”
Robert Harley – Feb/Mar ’05

“I have used many brands of cable over the past three decades, including, but not limited to; Monster (the entire gamut of their products), Fulton, Polk, Cardas, JPS, D.H. Labs, Kimber, MIT, Audio Quest, Straight Wire, Herron Audio, Transparent, Gortz Alpha-Core, Silver Audio, Silver Circle Audio, Analysis Plus, Harmonic Technology, and now, the Audience Au24’s. While I am able to note the differences every cable makes when inserted into my system, the Au24 marks the most fundamentally musical shift in performance I have yet to experience. In addition, that transformation has been universal in my experiments across equipment with price tags ranging from $200 to $8000. Don’t let these skinny little blue cables escape your attention. These are world-class cables that, given the price tags of some of their portentous peers, represent an excellent value as well.”
Greg Weaver – Writers’ Choice Awards – Dec ’04  Print Version

“Inserting the Audience Au24 S/PDIF digital cable between my transport and upsampler, it is as if I have found the musical mother lode. The nuances and balance the Au24 communicates are so immediately apparent and welcomed that I am just in awe of this cable right now. I have never noted a greater step toward musicality with any other digital cable at any price.” 
Greg Weaver – Aug ’04   Print Version

“When a product only stirs my attention to the musical message, that’s a rare and purchase-worthy accomplishment.”
Stephæn Harrell – Jun ’04  Read Full Review

“It was as a speaker cable that the Au24 really shown.” Brian Damkroger actually preferred the Au24 to his reference Valhalla in terms of tonal balance, imaging, resolution of inner detail, and sound staging.” 
Stereophile : Recommended Components
Vol.25 No.8 – Apr ’04

“The Au24 ic sits midway between the other two with a dead neutral tonal balance… the Au24s filled in slightly better the notes’ bloom and resonance following the initial transients.”
Brian Damkroger – Feb ’04

“I spent a lot of time going back and forth between the Au24 and my reference Valhalla, and ended up preferring the Au24.”
Brian Damkroger – Aug ’02  Print Version