“The entire performance was more grounded, more solid, more reach-out-and-touch-it present in my room.”
John Acton – Aug ’26
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Front Row Reserve Loudspeaker Cable Review by The Absolute Sound
“Moving the needle forward was not an easy task”
Neil Gader – March ’26
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OHNO III Speaker Cables Review July 2025
At the end of the day, Audience OHNO III is a cable series that has transparency, resolution, clarity and a wide, uncompressed dynamic range at the center of their ideology, it is a series of cables that offer exceptional performance for the price paid, and which can help improve and highlight the best parts of a system, without changing the way it sounds. I consider this to be one of the safest, and price mindful cable purchases you can make.”
Gheorghe Dobrescu – July ’25
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Studio TWO USB Cable Review July 2025
“The Studio Two USB cable expands the soundstage with remarkable clarity, space, and definition — from low-volume detail and noise reduction to high-volume control and reduced distortion.”
Gheorghe Dobrescu – July ’25
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Studio ONE Headphone Cable Review by Audiophile Heaven
“For me, it is so nice in sound that I plan on using it for all flagship- headphones that can use the 3.5mm connector at the headphone side.”
Gheorghe Dobrescu – June ’25
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Audience OHNO and forte F3 Cable Loom Review by Audio Analyst
Greg Weaver – E:208 Jan ’25
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2024 Positive Feedback Writers’ Choice Awards- frontRow Cables
Editors at Positive Feedback – Issue 136 – Dec ’24
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2024 Positive Feedback Writers’ Choice Awards- frontRow Reserve Cables, PowerChords
“I’ve heard all of Audience’s cables in my system and their newest FrontRow Reserve cables are clearly a step above the rest. The new FrontRow Reserve interconnects possess a much lower noise floor, better dynamics, and dazzling speed.” Myles B. Astor/Writer
Editors at Positive Feedback – Issue 136 – Dec ’24
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Review of Studio One Speaker Cable by Audiophile Heaven
“Studio One is the most dynamic, most transparent and most cohesive sounding cable I have heard to date…”
George Dobrescu, editor – Nov ’24
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