“After two months of listening on four systems, I can say these Au24e interconnects and AC cables are just stunningly neutral and musical.”
Robert H. Levi – May ’10 Read Full Review
Avguide.com Review of Au24 e Cable
“The sound is fast, airy, and punchy. I liked the way it opens up the soundstage, particularly on classical music, where it allows you to hear row after row of an orchestra. Overall, the soundstage seems to be deeper than it is wide. Tonality is beyond reproach. It captures the bore of an instrument with great fidelity. What about bass? Can a diminutive cable create a big sound? Judging by the impact of the Au24, the answer is emphatically yes.”
Jacob Heilbrunn –July ’09 Read Full Review
Affordable Audio Review of Conductor ‘e’, April 2009
Conductor ‘e’, PowerChord ‘e’
“My summation of this review is quite simple really, buy them all together as a set and never look back. Working in unison they tended to create a sound I could live with and not want for anything more.”
Anthony Nicosia – Apr ’09 Read Full Review
Soundstage Review of au24e Cable, February 2009
“In a world of incredible hype, they lived up to Audience’s claim that they create a more convincing illusion of reality and improve soundstaging. My reference cables do that pretty darn well, but the Audience cables improve the system’s performance in those areas”.
Vade Forester – Feb ’09 Read Full Review
PFO Review of powerChord e, au24 e by Greg Weaver
“Where they simply crush their competition is in areas like midrange and lower treble bloom, harmonic texture, and “flavor,” (listen to any well-recorded horns) and in overall spatial recreation. All these improvements have synergized to elevate soundstage articulation, image focus, and specificity to an unprecedented, and unbelievable, degree.”
“You owe it to yourself to hear what the Au24-e/powerChord-e system can deliver from your rig before you commit to any other cable products, at ANY price… You’ll most likely find yourself hearing some of the most engaging music your system has ever created, while saving some money in the process. Most musically recommended.”
Greg Weaver – Jan ’09 Read Full Review
Au24 ‘e’ Audio Interconnects, PowerChord ‘e’ Review by Steve Hoffman
“Audience has kindly sent me various products to audition. Their Au24 “e” audio interconnects are VERY neutral. Pleasing sound that tells the HONEST TRUTH about what your components really sound like while still being tuneful and musical. The “e” powerChord adds dynamics and the Adept Response Teflon power conditioner is great at cancelling noise while bringing out authoritative dynamics hidden in your playback system. The power conditioner is really amazing. If I wasn’t already married, I’d marry it. Add the Au24 “e” speaker cable and you have a true neutral, musical presentation!” Steve Hoffman using all Au24 e and Audience powerChord e cables to remix Nat King Cole album to 3 channel SACD.
Steve Hoffman, recording engineer – Dec ’08
Mono & Stereo Review of au24 Cable, August 2008
“When system and all the component really start to evaporate, you know that you’re on the right track. I can go on and on with the lists of music and references, but i wont. If you are serious enough about the music and reproduction AU24 speaker cables might be one of the most transparent, optimally balanced and affordable speaker cables on the market.”
Matej Isak – August ’08 Read Full Review
Conductor Review by Tone Audio, March ’08
“The Audience Maestro and Conductor cabling was ultimately so satisfying and suited to my needs that I’m very curious about the upscale Au24 line.”
Marc Phillips – March ’08 Print Version
10 Audio Review of Au24e Cables, March 2008
Audience Au24 “e” Loudspeaker Cables
“We usually associate an increase in detail or resolution with some unwanted side effect, such as dryness, thinness, brightness, or some other negative “-ness” that is a definite compromise. Get more of “this”, but less of “that”. With the new “e” cable, there is more of the “this”, but no less of the “that”. There is an increase of smoothness, detail and resolution all across the frequency range without any sense, even a subtle one, that any compromise has been made. But make no mistake, for a small increase in cost the higher level of musical enjoyment is substantial.”
March ’08 Read Full Review