The Absolute Sound Review of Au24 Cables, 2005


“The SA-11S1’s terrific CD sound tempted me to compare it to my CD references–a Theta Generation VIII DAC driven by a Mark Levinson No.31.5 transport via the excellent Audience Au24 AES/EBU interconnect.”
Robert Harley – Feb/Mar ’05

 

PFO Writers’ Choice Award 2004 for Au24 Cables


“I have used many brands of cable over the past three decades, including, but not limited to; Monster (the entire gamut of their products), Fulton, Polk, Cardas, JPS, D.H. Labs, Kimber, MIT, Audio Quest, Straight Wire, Herron Audio, Transparent, Gortz Alpha-Core, Silver Audio, Silver Circle Audio, Analysis Plus, Harmonic Technology, and now, the Audience Au24’s. While I am able to note the differences every cable makes when inserted into my system, the Au24 marks the most fundamentally musical shift in performance I have yet to experience. In addition, that transformation has been universal in my experiments across equipment with price tags ranging from $200 to $8000. Don’t let these skinny little blue cables escape your attention. These are world-class cables that, given the price tags of some of their portentous peers, represent an excellent value as well.”
Greg Weaver – Writers’ Choice Awards – Dec ’04 
 Print Version

On Sound and Music Review of Au24 Cables, August 2004


“Inserting the Audience Au24 S/PDIF digital cable between my transport and upsampler, it is as if I have found the musical mother lode. The nuances and balance the Au24 communicates are so immediately apparent and welcomed that I am just in awe of this cable right now. I have never noted a greater step toward musicality with any other digital cable at any price.” 
Greg Weaver – Aug ’04
   Print Version

Au24 Cable Receives Stereophile Recommended Component, April 2004


“It was as a speaker cable that the Au24 really shown.” Brian Damkroger actually preferred the Au24 to his reference Valhalla in terms of tonal balance, imaging, resolution of inner detail, and sound staging.” 
Stereophile : Recommended Components
Vol.25 No.8 – Apr ’04

 

On Hifi Review of PowerChords, Au24 Cables


“The Audience Au24 and powerChord cables share a family resemblance-they balance tonality extremely well, have superb detail (again, in balance; neither too much nor too little of it), and they’re smooth. Not colored-smooth, but just-right-smooth.”
Wes Phillips – Apr ’04  Read Full Review

 

6Moons.com Conductor Review 02/04

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“Audiophiles on a budget can be assured that these cables won’t leave them shortchanged. Like the Chinese astrological Ox, these cables speak little but they do so eloquently while inspiring confidence. To hear music with this much clarity and refinement is more than worth the asking price. I urge fellow audiophiles on their journey to greater musical heights to arrange for a demo of the Audience Conductor interconnects and powerChord power cables.”
Mike Healy – Feb ’04   Read Full Review

 

Stereophile Reviews for Au24 Cables, 2002 and 2004


“The Au24 ic sits midway between the other two with a dead neutral tonal balance… the Au24s filled in slightly better the notes’ bloom and resonance following the initial transients.”
Brian Damkroger – Feb ’04

“I spent a lot of time going back and forth between the Au24 and my reference Valhalla, and ended up preferring the Au24.”
Brian Damkroger – Aug ’02  Print Version

 

 

Hifi.nl Review of Au24 Cables, February 2003


“Overall the character of the cables is unchanged. Catchwords remain; musical, melodious, liquid, quiet without being dull or lifeless, airy and detailed without dissecting to the bone. Conclusion: If there is one part of the audio industry where superlatives like thicker, bigger, more expensive and heavier are at a premium, it’s in the cable world. John McDonald and his team break through this trend with the Audience powerChords and the Au24 interconnects & speaker cables and do this in an impressive way that is very attractive for the true music lover. Visually ‘minimalistic’and elegant. But what is much more important; in an auditive sense, beautifully balanced, liquid and above all musical.”
Jan de Jeu – Feb ’03
  Read Full Review (Dutch)