At the end of the day, Audience OHNO III is a cable series that has transparency, resolution, clarity and a wide, uncompressed dynamic range at the center of their ideology, it is a series of cables that offer exceptional performance for the price paid, and which can help improve and highlight the best parts of a system, without changing the way it sounds. I consider this to be one of the safest, and price mindful cable purchases you can make.”
Gheorghe Dobrescu – July ’25
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“The Studio Two USB cable expands the soundstage with remarkable clarity, space, and definition — from low-volume detail and noise reduction to high-volume control and reduced distortion.”
Gheorghe Dobrescu – July ’25
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“For me, it is so nice in sound that I plan on using it for all flagship- headphones that can use the 3.5mm connector at the headphone side.”
Gheorghe Dobrescu – June ’25
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Greg Weaver – E:208 Jan ’25
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Editors at Positive Feedback – Issue 136 – Dec ’24
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“I’ve heard all of Audience’s cables in my system and their newest FrontRow Reserve cables are clearly a step above the rest. The new FrontRow Reserve interconnects possess a much lower noise floor, better dynamics, and dazzling speed.” Myles B. Astor/Writer
Editors at Positive Feedback – Issue 136 – Dec ’24
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“Studio One is the most dynamic, most transparent and most cohesive sounding cable I have heard to date…”
George Dobrescu, editor – Nov ’24
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“Was really Very interesting to have the frontRows in my system. Showing existing qualities and others never heard before. Follow our strongest recommendation with an excellent cost x performance”.
Jorge Gonçalves – Oct ’24
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“The audience for high performance audio is extensive and varied, but whatever one’s system construction or listening preferences, the Hidden Treasure Ethernet and frontRow USB cables are most highly recommended, individually or together. I’ve recently taken to describing my soundstage as Sonic Cinemascope. Take your seat and enjoy the show.”
Bruce Kinch – Aug ’24
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“There was a complete absence of listening fatigue; indeed, with the incredible insight into music performances afforded by the frontRows, I was compelled to pull out recording after recording.”
John Acton – June ’24
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