“I really like this new series of parts from Audience. They offer a refreshing update to an old reliable. Everything we care about in the music is better. The 3D recovery is more abundant, the clarity of fine details is improved. The bass is strong and smooth, not over-emphasized or woolly-warm like some other parts. The highs are sweet and not fatiguing. I like them, especially at the modest price”.
Jennifer Crock – Positive Feedback Issue 70, Nov/Dec 2013
“Audiophile power conditioning products are generally categorized as accessories, but when they are as well designed and executed as Audience products, I believe they become integral parts of a high-end system. From my experience with Audience power products, they provide immediately identifiable benefits with absolutely no down side.”
Andre Marc — January ’13 Read Full Review
The ONE isn’t going to be for everyone, but those who like it will struggle to find better from any loudspeaker with a crossover ‘in the way’. This isn’t just another small loudspeaker, it’s the start of a revolution!
Issue 68 – Oct. ‘13
By Alan Sircom, editor
“This is an epoch making product.”
Radio Gijyutsu (Radio Technique) – October ’13
Read Full Review (Japanese)
Read Full Review (English Translation)
The ONE
SuperAVMagazine Hong Kong
Issue 242 October ’13
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“The One ranks as the best dedicated desktop speaker I’ve heard. If you’re looking for an exceptional small-footprint monitor, The One is simply a must-audition.”
Steven Stone – October ’13
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Audience Au24 SE Interconnect
SuperAVMagazine Issue 241 September ’13
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“The ONE produces remarkable quality that belies its tiny size.”
Neville Roberts – September ’13
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“Audience’s ClairAudient ONE is an extraordinary speaker with superb resolution of detail, excellent dynamic contrasts, and subtle articulation of transients. It’s capable of providing satisfying, involving uncolored long-term listening over a broad range of music”.
Bob Reina – September ’13
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“Like TAS editor Robert Harley once said to me “You need a power conditioner.” I have one now. It’s the Audience aR6-TSS.
With all my components plugged into the Audience conditioner, violins were unfailingly silkier, voices and instruments emerged from a blacker sonic background with more nuance and dimension to them, soundstaging was grander, and imaging and spatial cues startling. The aR6-TSS contributed a remarkable refinement and brought real precision to my system.”
Garrett Hongo, reviewer
The Absolute Sound
Issue 235, September 2013 – Full review here
