“Across the entire line the build-quality is nothing short of exemplary”
Reviewed in Issues 162, 179, 186, 236 Read Full Award
“Across the entire line the build-quality is nothing short of exemplary”
Reviewed in Issues 162, 179, 186, 236 Read Full Award
“…what the Au24 SE does is raise your system’s game, whatever that system. It’s the kind of cable that points you back to your musical core.”
Alan Sircom – HiFi+ Issue 120 Feb ’15
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“Suffice it to say that the Audience speaker and interconnect cables may be relatively diminutive but they will never short-change your system, whether it comes to sonic prowess or nuance.” (Cables)
“… I have to say that it was the power cables that ended up stealing my heart.” (PowerChords)
Jacob HeilBrunn
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“Audience’s Au24 SE powerChords, interconnects, and speaker cables are the most satisfying wiring products I’ve used in the last 39 years. They sit at the pinnacle of cable performance, and provide an attractive combination of big spaces, a very neutral sound and marvelously balanced performance, from the deepest bass to the highest treble”.
Doug Blackburn – SoundStage ULTRA – October ’14
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“Audience’s Au24 SE powerChords, interconnects, and speaker cables are the most satisfying wiring products I’ve used in the last 39 years. They sit at the pinnacle of cable performance, and provide an attractive combination of big spaces, a very neutral sound and marvelously balanced performance, from the deepest bass to the highest treble”.
Doug Blackburn – SoundStage ULTRA – October ’14
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“Audience has clearly broken the price/performance barrier with their newest Au24 SE phono cables. No matter which cartridge is mounted in the 3D arm—the Lyra, Transfiguration or Koetsu—the Audience brings out the best attributes of each. The dynamics, solidity and resolution of the Atlas: the imaging, preciseness and low level resolution of the Transfiguration; and the realism and sense of space of the Koetsu. Without doubt, these phono cables are clearly at home in any analog system and really bring the music to life.”
Myles B. Astor — Issue #75 September/October ’14
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“Most markedly, Au24 SE has a light, delicate touch, an insider’s touch, that illuminates transient and low-level information like few power cords I’ve encountered.”
Neil Gader – September ’14
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“Vocals were sensational for any loudspeaker, never mind one that costs less than $2k.” -Robert Harley, sidebar comment
Steven Stone, Reviewer- October ’14
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The ONE, in particular, is amazingly good as a nearfield monitor for use with computers or gaming systems, while the 1+1 can work well in medium- sized theatre rooms. Both models are highly recommended”.
Doug Blackburn – August ’14
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I have been using the ONEs over the past year at SnowGhost Music and they have become one of the most important tools in my studio. Many people in the studio world are extremely familiar with classics like Yamaha NS-10s or Auratones, and swear by them for their uncanny ability to translate in the real world on many different systems. The ONEs share that trait, but also go a step further, in providing a level of detail and resolution unmatched for a single-driver, cross-overless design. I prepare mixes almost exclusively in mono on the ONEs before addressing any needs on my larger far-field speakers, and find that I have been able to cut my work in half. I could survive with a good pair of headphones and the ONEs. Thanks Audience, for not only updating a classic and simple speaker design philosophy, but also for far eclipsing it.
Brett Allen, owner of SnowGhost Music