The ONE isn’t going to be for everyone, but those who like it will struggle to find better from any loudspeaker with a crossover ‘in the way’. This isn’t just another small loudspeaker, it’s the start of a revolution!
Issue 68 – Oct. ‘13
By Alan Sircom, editor
The cable just arrived and I put on Dianna Krall on my headphones. I am amazed at the natural timbres and extended and detailed treble. I’ve never heard female vocals this good. Must be already broken in because this is freaking awesome!! John-thank you so much! Best $220 I’ve ever spent on audio. Scott
“This is an epoch making product.”
Radio Gijyutsu (Radio Technique) – October ’13
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The ONE
SuperAVMagazine Hong Kong
Issue 242 October ’13
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“The One ranks as the best dedicated desktop speaker I’ve heard. If you’re looking for an exceptional small-footprint monitor, The One is simply a must-audition.”
Steven Stone – October ’13
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Hi John, The One loudspeakers resolution is so high & precise that I’m
hearing new notes, in my system, that I’ve never heard before except maybe
through my electrostatic headphones. The One loudspeakers are basically high
resolution headphone speakers that you listen to without having to wear
uncomfortable headphones that also restricts movement. I prefer listening to
the The One loudspeakers, rather than my electrostatic headphones, as one
can tell. I think that loudspeakers with crossovers & tweeters is an
outdated past technology, that in my opinion should be discarded, but we
know that’s going to take time until more audiophiles hear these profound
speakers. Thank you John for putting so much effort & time into creating
these, shall I say it again? profound & emotional speakers that touches the
human soul. Sincerely, Jimmy.
Audience Au24 SE Interconnect
SuperAVMagazine Issue 241 September ’13
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“The ONE produces remarkable quality that belies its tiny size.”
Neville Roberts – September ’13
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“Audience’s ClairAudient ONE is an extraordinary speaker with superb resolution of detail, excellent dynamic contrasts, and subtle articulation of transients. It’s capable of providing satisfying, involving uncolored long-term listening over a broad range of music”.
Bob Reina – September ’13
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“Like TAS editor Robert Harley once said to me “You need a power conditioner.” I have one now. It’s the Audience aR6-TSS.
With all my components plugged into the Audience conditioner, violins were unfailingly silkier, voices and instruments emerged from a blacker sonic background with more nuance and dimension to them, soundstaging was grander, and imaging and spatial cues startling. The aR6-TSS contributed a remarkable refinement and brought real precision to my system.”
Garrett Hongo, reviewer
The Absolute Sound
Issue 235, September 2013 – Full review here
