Bellare Loudspeaker Named Standout Exhibit by Soundstage Australia


SoundStage Australia — Edgar Kramer
StereoNET Hi-Fi & AV Expo Melbourne 2026: 12 Standout Exhibits

Edgar Kramer selected the Nirvana Sound/HeyNow Hi-Fi demonstration featuring the Audience ClairAudient Bellare loudspeakers among his 12 standout exhibits at the Melbourne show. He praised the system’s openness, tonal beauty, balance of detail, and controlled, textured bass, calling it “One of the highlights of the event.”

Read the full show report:
https://www.soundstageaustralia.com/index.php/features/1052-stereonet-hi-fi-av-expo-melbourne-2026-part-1-12-standout-exhibits

Audience Bellare Receives The Absolute Sound Editors’ Choice Recognition, November 2026


Audience ClairAudient Bellare has been selected for Editors’ Choice recognition in the November 2026 issue of The Absolute Sound. The publication highlights Bellare’s natural reproduction of instruments and vocals, bass performance, innovative full-range driver design, and integrated room correction.

Source: The Absolute Sound, November 2026, Editors’ Choice Awards.

Bellare Loudspeakers Show Report from Enjoy the Music


Notable honorable mention exhibits at CAF 2025.
Capital Audiofest 2025 Show Report By Rick Becker

Audience (703) is more commonly known as a manufacturer of cables and power conditioners, but here they premiered a floorstanding speaker as a follow-up to their very highly acclaimed monitor, now in its fifth generation. The music was exceptional, but the speaker holds even greater promise if paired with higher-performance components, including tube amplification for which it is eminently suited, with its internally powered bass driver. Its modest size and elegant presentation make it suitable for fine homes.
See their CAF 2025 coverage here.

Bellare Loudspeakers Show Report from The Absolute Sound


“Taking the opposite approach to crossover filter implementation (or the lack thereof) the Audience Bellare ($36,000/pair) employs multiple 3** wideband drivers to produce all the loudspeaker’s output from 120Hz up—there’s no crossover above that point. This, the manufacturer maintains in its promotional materials, “preserves phase integrity, tonal purity, and an ideal radiation pattern” with a variety of amplifiers, including low-powered single-ended designs. Low frequencies are the responsibility of the Bellare’s active bass section that’s equipped with a 300-watt amplifier that provides DSP room-correction and has the capacity to adjust the speaker’s bass output level with the supplied remote. Driven by Atma-Sphere amplifiers, cymbals on well-recorded jazz tracks were pristine and extended. Vocal sibilants were well behaved. Reproduction of an acoustic bass’s upper harmonics was exceptional on Patricia Barber’s version of “Ode to Billie Joe” with bassist Michael Arnopol from the 1994 album Café Blue.”
Andrew Quint – Dec ’25