Testimonial for The ONE January 2017

Dear John,
I received the Audience ONE speakers Saturday. I was able to set them up Sunday morn. I listened for quite a while to a variety of recordings I’ve made over the years. One word came to mind, “Wow!” Details popped out that I’d forgotten about. Instruments were distinct. I could hear the harmonics. Stereo placement was exact. I could also hear my eq and mixing errors. These wonderful speakers are an excellent choice for a composer. As close range studio monitors, they raise the bar. You’ve provided me with excellent monitors for decades. These are the best yet. I am truly grateful.
Thank you, Richard

Richard Jennings Music
rjmusic.org
510-985-0707

Dagogo Review of ClairAudient 1+1 November ’15

dagogo_logo2015
” All the versions of the Audience ClairAudient 1+1 are worthy of whatever associated gear or cables; you can afford to pair with them. The ability of the ClairAudient 1+1 to produce a reach – out – and – touch – someone soundstage, to my astonishment, is even better with V2 and V2+. It was already the best I’d heard in my house for under $17,000. I would say that the V2+ speakers are the reigning king of this much-desired attribute of high-end speakers. ”
Jack Roberts, Dagogo – October ’15
Read Full Review

 

 

The ONE Testimonial April 2015

Unexpectedly, The ONES (with SUB15) present organ music with great realism. It can be pure majesty. This near-field system is proving mysterious and challenging, urging me to further appreciate the art of listening — through acceptance. Perhaps it’s best approached one type of music at a time. The speakers can seem “purpose-built”. I discovered their excellence with opera. Now organ. Part of it is their “compact” imaging. They don’t work to recreate the whole (distant) space, but rather the personal space as apprehended by one listener in the much larger environment. (As I read what I’ve just written I wonder if there is a difference. I know that I struggle to describe and ‘understand’ their kind of repro.) Part of it is seeming to be at a virtual “console” while listening, eg the mixing board in a studio, conductor’s podium at the opera, keyboards of the organist. I love this illusion of control. Let me pretend to play for you now… Desmond Fretz

Audience Wins The ONE 2015, 2017 Editors’ Choice Award from The Absolute Sound!

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Audience The ONE

The ONE, as you might infer from its name, is a single full-range driver shoehorned into a small box. The driver itself is the same unit, the A3S, that Audience uses in its flagship $72,000 16+16 speaker. According to Audience, the A3S has exceptionally flat response, claimed to be +/-3db from 40Hz to 22kHz. Be that as it may, properly set up The ONE is the best desktop speaker reviewer Steven Stone has heard (after the Audience 1+1). SS, 236
All 2017 Editors’ Choice Award Products

Audience Wins Multiple 2015 Editors’ Choice Awards from The Absolute Sound!

absolute_editors_choice_2015_reviewBelow are quotes from The Absolute Sound 2015 Editors’ Choice Product Awards:

 

 


The ONE, as you might infer from its name, is a single full-range driver shoehorned into a small box. The driver itself is the same unit, the A3S, that Audience uses in its flagship $72,000 16+16 speaker. According to Audience, the A3S has exceptionally flat response, claimed to be +/-3db from 40Hz to 22kHz. Be that as it may, properly set up The ONE is the best desktop speaker reviewer Steven Stone has heard (after the Audience 1+1). SS, 236

 

 

 

 

 

 


 


Audience 1+1
When SS reviewed the single-full-range-driver Audience “The ONE” speakers, he was convinced that they were the best nearfield monitors he’d ever heard. His time with the larger Audience 1+1 speakers has led him to place the 1+1 above the “The ONE” at the top of his own personal “best” nearfield loudspeaker list. Just like “The ONE” speakers, the Audience 1+1 creates a three-dimensional soundstage that allows you to listen deeply into the nuances of a mix or a live performance. SS,246

 

 

 

 

 


 

Au24SE cable_no_text_news
Audience Au24 SE Cables
Audience has long insisted that mammoth wires are not only superfluous but can be a hindrance to good sound. Its slender Au24 SE cables and interconnects make a strong case that size does not always matter. While they do not appear to deliver as full a sound as some of their competitors, the Audience Au24 SE assemblage offers some of everything- a wide and deep soundstage, a goodly amount of detail, and superb transparency. When their relatively modest price is factored in, the Audience line only becomes even more impressive for its ability to compete with much pricier top-end cables. JHb, 249

 


 

Au24 SE USB_only

 

Audience Au24 SE USB
This new USB cable is simply sensational in every way. The Au24 SE USB’s clarity, dimensionality, and gorgeous timbre put it in a class by itself. It seems to have no signature of its own, but rather more transparently conveys what’s coming from your computer. The dual-cable design separates the signal-carrying and power-carrying conductors. RH, review forthcoming.

 

 


 

powerchordse_coil

 

Audience powerChord SE
The Audience powerChords offer bass clarity, weight, and pitch resolution that place them at or near the top of the affordable-power-cord pack. Except for a slight treble congestion and somewhat laid-back overall presentation, there is little deviation from tonal neutrality, NG, 208

 

 

 

 

 

 


 

au24se_poweChord

 

Audience Au24 SE powerChord
The SE brings to the table new connectors with higher quality metallurgy and lower mass terminations making for an across-the-board sonic improvement to an already excellent line of products. Offered in three versions: low-power for DACs, preamps, and phonostages; medium-power for lower-powered integrated amplifiers; and high-power for power amplifiers. NG 219, RH 245, JHb 249

 

 

 

 

 

 


 

Audience aR2p Power Conditioner
Used with a CD player, the aR2p-Audience’s compact, dual-outlet power conditioner and isolation device-enhanced soundstaging dimensionality, and depth. The 12-outlet aR12 was also found to be extremely effective, capable of delivering significant improvements in bass definition and depth, overall resolution, and soundstage depth. 162, 179, 186, 235

 

 

 

 

 


 

ar6tss2_backAudience aR6-TSS
Used with a CD player, the aR2p-Audience’s compact, dual-outlet power conditioner and isolation device-enhanced soundstaging dimensionality, and depth. The 12-outlet aR12 was also found to be extremely effective, capable of delivering significant improvements in bass definition and depth, overall resolution, and soundstage depth. 162, 179, 186, 235

 

 

 

 


 

ar12_backAudience aR12
Used with a CD player, the aR2p-Audience’s compact, dual-outlet power conditioner and isolation device-enhanced soundstaging dimensionality, and depth. The 12-outlet aR12 was also found to be extremely effective, capable of delivering significant improvements in bass definition and depth, overall resolution, and soundstage depth. 162, 179, 186, 235
Used with a CD player, the aR2p-Audience’s compact, dual-outlet power conditioner and isolation device-enhanced soundstaging dimensionality, and depth. The 12-outlet aR12 was also found to be extremely effective, capable of delivering significant improvements in bass definition and depth, overall resolution, and soundstage depth. 162, 179, 186, 235

 


 

ar12_backAudience aR-12 TS
Used with a CD player, the aR2p-Audience’s compact, dual-outlet power conditioner and isolation device-enhanced soundstaging dimensionality, and depth. The 12-outlet aR12 was also found to be extremely effective, capable of delivering significant improvements in bass definition and depth, overall resolution, and soundstage depth. 162, 179, 186, 235

 

 

The ONE Testimonial April 2015

John, listening this morning to Charlie Haden & Jim Hall on The ONES I’ve discovered something impossibly pure. Can our hobby be this simple? With my Maggies system there was so much trying. Complexity and frustration. But here is “only the music”. As I learn to appreciate this kind of reproduction, I feel it letting me in. The more I suspend disbelief, the further in I go. In your letter about these personal reference monitors, you state their meaning: “they simply get out of the way.” I understand your company’s mission. With gratitude,  – Dez