” As I continued listening, it became clear that the Audience’s levels of midrange and lower-treble resolution were standard-setting — again, that vanishing noise floor paid big dividends in the listening chair.
The upper midrange and lower treble were nuanced, finely shaded, and highly resolved, presenting harmonic decay and inner detail that I’d never heard with any other conditioner.
The decays of the piano’s upper registers, previously obscured by a fine layer of glare, were more fully illuminated and harmonically developed with the aR12-TS in the system. I felt I could see into the lowest, previously obscured levels of harmonics of pianos, guitars, cymbals, and even voices. Piano lovers will love what the Audience does. ”
Ryan Coleman — Mar ’12 Read Full Review